Archive for the ‘Tips for Writers’ Category

2012: The Year of the Novel

Monday, January 16th, 2012

It’s a new year, and I’m hoping 2012 will be a year of good things to come. With that in mind, I settled down today to retackle my work-in-progress, and I’ve got to say, I was actually excited to read it. With my last rendition, which I am more or less completely rewriting, I was bored to tears. I didn’t care what happened. I wasn’t excited to follow the storyline. But with the current draft, I wanted to know what would happen, which is saying something since I wrote it and should know what happens.

In the past, I’ve berated myself for not having a published manuscript, for not yet achieving my lifelong goal of publishing a novel. Please insert laughter and snide remarks here, since by lifelong I really mean my dream of 28.5 years, assuming this dream started when I was an infant. When I’ve read about the unpublished novels published writers have tucked away in drawers, I always said that wouldn’t be me. But I currently have 2 more or less completed novels that will probably never see the inside of a publishing house. But out of those experiences, I am learning how to be a better writer, how to create engaging content and engaging characters. My failures are not actually failures. They are just test runs.

My fiance’s brother works for a video game company, and when he got the job, his father made a joke about how all of the hours he spent playing video games, he was actually interning for his current job. I’d like to think that my unpublishable books have all been part of an internship. And hopefully those efforts will pay off with the final prize, the right to legitimately call myself a writer.

Building an Author Platform – Do you need one?

Sunday, October 30th, 2011

Photo from Raider of Gin's photostream http://www.flickr.com/photos/fairerdingo/

I read a great blog post today about author platform and when/how to focus on building one. In short, publisher Rachelle Gardner said to stop trying to build your brand.

As writers, it is sometimes easy to tell ourselves that we are being productive when we blog and tweet and facebook. But are we really being productive? Or are we just procrastinating?

According to Gardner in her post Novelists: Stop Trying to Brand Yourself, an unpublished/unrepresented author should be focusing more on the actual craft of writing. Sure, writing blog posts and tweets helps with this to a degree, but what good is it if you have nothing to show your audience? And then we come to who your blog/twitter/facebook audience is. Are you writing these things for your future readers, or are you focusing more on attracting other writers/professionals in the industry?

Gardner stresses the importance of focusing on who you are writing books for. Industry professionals play into this, but the most successful writer blogs I’ve seen are the ones that focus more on the reader. And if you are writing to your reader, then it’s not procrastination. You are honing in on your voice while also attracting an audience.

How can an unpublished writer take their blog from industry focused to reader focused? How have you made your blog more reader friendly?

Writing with an Authentic Voice

Saturday, July 2nd, 2011

Photo by: yukatafish (flickr username) - http://www.flickr.com/photos/yukatafish/

Writing with an authentic voice is a difficult thing to learn, but lately I’ve been honing in on writers who do it well in an attempt to understand what makes a good voice. The writer I’ve been spending a lot of time with lately (through his books, not in person) is Scott Westerfeld. His books are compelling not just because of his ability to emerse the reader in a wonderfully built world, but also because of his amazing use of voice (which contributes to the world building, but more on that later).

Voice in the Uglies series

In the Uglies series, the main character, Tally, goes through a series of transformations. In each book, the reader can feel these transformations because of Westerfeld’s use of voice. Although told in third person, Westerfeld uses words and thoughts that Tally would use/have. He utilizes slang from his world (e.g. “bubbly” and “icy”) but also gets into the heart of the story. And because the voice is so authentic, he seemlessly transports the reader into Tally’s world. His use of voice wraps around the world, snuggling the reader inside; it is completely devoid of influences from our own world which keeps the illusion from being shattered.

Not only does his use of voice help to make the world real, but he also does a great job portraying many of the things that teenagers and adults alike face – wanting to fit in, insecurities about one’s appearance, never being good enough, etc. While he does this through the plot, these internal struggles would not be nearly as successful without the addition of a believable voice.

Voice in the Leviathan series

The other series of Westerfeld’s I’ve been reading is the Leviathan series. In this series, Westerfeld switches POV between Alek, the properly raised aristocrat fleeing for his life, and Deryn, the spunky Englander pretending to be a boy so she can be an airman. Again told in third person, Westerfeld switches the voice between the chapters. The reader can tell without thinking which POV belongs to which chapter. As with the Uglies series, Westerfeld is successful not just because of word choice and his addition of slang, but he brings out the thoughts and internal struggles of each main character in a believable way.

Other examples of good use of voice

If you are looking for other good examples of voice, Suzanne Collins’ the Hunger Games series uses great voice and is told in first person. In Ally Condie’s Matched, as in the Ugly series, the voice changes as the main character evolves. M.T. Anderson’s Feed, like Westerfeld’s books, incorporates rich dialog into the narration to aid the voice. Another book I recently read is Megan McCafferty’s Bumped, which, like the Leviathan series, uses two POVs. It’s not done to the same degree as what Westerfeld has done, but it’s still a good example of using two narrators within one book.

Do you have any other examples of authors/books that make good use of voice? What other skills can we learn from reading works by other authors?

Tough decisions in editing – undergoing a complete rewrite

Monday, June 20th, 2011

I have finally made the tough decision to rewrite my entire WIP. I’ll still keep some of the same characters and the same general concept, but it just isn’t working. Coming to this decision was not easy, but you can only do so many edits to a piece of writing. Sometimes you need to just take what you’ve got and toss most of it out the window.

Have you had to do that? When you make that decision, is it something you just feel, or do you give yourself a certain number of editing rounds/time limit before coming to this decision?

Time – the Writer’s Foe

Tuesday, June 14th, 2011

Photo courtesy of Robbert van der Steeg

I know I’ve posted about time management before, but since it’s slipping away from me again, I figured it might be slipping away from you again as well.

Managing your time as a writer

Now that summer is upon us, it seems even more difficult to manage my time. The winter was pretty dreary, so now I want to enjoy the sun whenever I can get it. Plus, I’m a bit sick of staying indoors. But I’ve also missed my self-imposed deadline, so something has to give.

The good thing about the summer is longer days and bad t.v. Because the days are longer, I feel like I have more time to get things done. But I also feel more inclined to go out instead of hanging around. When I am hanging around the house, there is little television distraction because, let’s face it, with the exception of Doctor Who and HBO’s new series Game of Thrones, there really isn’t that much going on in the world of the boob-tube. But the warmth and long days call me outside with a book and I find myself losing my entire day to reading or taking walks or dreaming up summery things to eat.

Reimposing the 15-minute rule

OK, the 15-minute rule doesn’t mean that everything gets only 15 minutes of my time. It’s more the general principal, meaning I have to give myself time limits for things. Example: I can read for an hour or x-number of chapters. I can watch 1 television show. I can spend 1-hour at the gym. And, most importantly, I must spend 30-minutes minimum each day writing. Of course, fitting those 30-minutes in is hard – I want to read outside. I have to eat dinner. The fiance comes home and wants to watch Dr. Who. And then it’s time for bed.

And this is where looking at writing as a job comes in. Because I want to get a book out there, I have to treat it like I treat my 9-5. Sure, some days I would rather sit home and read a book or hang out with friends or take a vacation instead of going to work, but I go to work because I have to. I have people to answer to and I commitments I made. I have deadlines and people that are relying on me. So I put aside the things I want to do and take care first and fore-most of the things I have to do. And that is how I have to look at writing. Even on the days where I feel drained of creativity, I must write. Because if you aren’t writing, you aren’t a writer.

How do you manage your time? Do you set up appointments with yourself? Do you treat it like a job? Do you have someone who holds you accountable for your time?

Lies Writers Tell

Sunday, May 15th, 2011

Courtesy of id-iom's Flickr photostream http://www.flickr.com/photos/id-iom/

Tucked inside a care package for my cat, I found an article my mom tore out of a magazine for me, Don’t Give Up, Just Lie,with a note attached telling me to read it when I get frustrated. The article chronicles the struggles faced by Kathryn Stockett as she attempted to find representation for The Help, which received 60 rejections before finally getting signed. The article tells how Stockett finally turned to lying – she didn’t want to admit to her friends and husband that she was still retweaking the manuscript, still sending it out. She was ashamed by the rejections and didn’t want to talk about it. She didn’t want to be told that she should give up or find a new project. Instead of being honest about how she was spending her time, she would do things like say she was on a girls’ weekend when really she was holed up in a hotel writing.

But what about the opposite lie? What about when you say you worked on your writing when really you did nothing of the sort? What about when you don’t want to admit that you are stuck? Well, that’s the boat I’m in. Just about every night I’m asked “Did you get any writing done today?” or “What’d you do today?” I’ve found it’s easier to say “yes, a bit” or “I did a little writing” than it is to be honest and say “no. I’m stuck” and then get the look that reads “give up. Find something else to be passionate about.” Or worse yet, to be asked if I need help or to receive suggestions for new ideas.

Although my lies are the opposite of Stockett’s, I’m betting the looks she got when being honest, the looks that drove her to lying, are similar to the looks I get when I’m honest. But why should we have to be ashamed of our dreams? Why should we have to lie? Obviously Stockett was meant to be a writer and was meant to write The Help. She should not have been ashamed of the time she spent writing it. And me, well I shouldn’t be ashamed either. Sure, I may be stuck, I may find the editing process to be a huge bear, but I’m sure other writers before me and others that will follow me will find themselves in the same boat.

Do you feel obligated to lie about your writing? What lies do you tell?

Choosing your Narrator: First Person Versus Third Person

Tuesday, May 10th, 2011

For the past several months I’ve been trying to force myself to write in first person. It fits the genre and I love my opening paragraph, which only works in first person. The trouble is that I find it difficult to tell a story in first person narration. And this is causing a lot of struggles.

Yes, I succeeded in completing a first draft in first person narration, but when I went back to read my writing, it felt stale. It was lacking the excitement and energy of things I’ve written in third person. Yet for some reason, I keep clinging to this idea that the story must be in first person. But why?

So what if a lot of books in the genre rely on first person narration? So what if I have to rewrite my first paragraph? If I’m not comfortable writing in that style, if I lack the talent to write in that style, none of the reasons to retain it will matter because no one will ever want to read my book, and that, after all, is what makes you a novelist – you need readers. And this leads me to my current dilemma – should I rewrite the entire first draft to fit within a form I’m comfortable writing in, or should I try to stretch myself and step outside of my comfort zone?

What would you do in my shoes? Do you prefer first person to third person? Or do you let the story dictate your plan of attack?

To Quit or Not to Quit – a.k.a. Should I be a full-time writer?

Sunday, May 1st, 2011

Image courtesy of JFH's Flickr stream, http://www.flickr.com/photos/jhf/

Taking the big leap from guaranteed paycheck to unreliable money (a.k.a. full time writer) is not a leap to take lightly. But now that I’m engaged to an incredibly supportive man, that question has come up, and it’s not me who’s raised it.

The realities of a full time writer

Last weekend while on vacation the issue of quiting my job was raised, yet again. “If you want to be a writer, then write. You’ll never finish a book if you are working full time.” But I disagree.

Look at most writers. How many of them work full time jobs in addition to writing? A fair number. Now look at how many are able to sustain on a full time writer’s salary. You will only find a handful, and my hands are rather small.

In addition to the financial implications, you also have to think about the insurance issue. Sure, if you are married or, depending on the company, living with someone, you can go on their insurance. But for a lot of people, this isn’t an option. And think about signing a lease or trying to get a mortgage? Since I have a steady paycheck, I can’t say this for sure, but I’m betting a full time writer will run into more obstacles when attempting to arrange their living situation than someone working a traditional job.

Then there is the stress. For me, my financial situation creates a lot of anxiety. When I’m anxious, it’s really hard to write. So would not knowing where my next paycheck is coming from really make it easier for me to finish a book if I quit my job?

The lonely factor I could deal with – I prefer working with no distractions, and I’m also good at managing my time. I can make myself work regardless of whether I’m in an office or working from home, but the working environment are additional factors that have to be considered.

Before considering this leap, you have to look at yourself and be realistic. Writing may be the world to you, but if you can’t stomach the insecurity of not knowing where your next paycheck is coming from or how to afford insurance, if you thrive on being around people while at work, quiting your traditional job for writing might make things more difficult.

My course of Action

With all of that being said, I am not going to quit my job and give up the security of full-time pay. And here’s why.

I don’t know if I can get something published. Having never sold a book, or even gotten one to a publishable place, it seems a bit irresponsible for me to quit on a whim. Sure, it’s my dream. And sure, it’s something I’ve been doing my whole life, but being able to focus on writing if I’m stressed about my finances would be a stretch.

Instead of quiting, I’m going to keep doing what I’m doing. I am able to find the time to work on my writing despite working a full-time job. I work long days so I get every other Friday off and I usually fit in a little bit of time even on the days I work. I also manage to find the time to make connections and read a ton. Even though my efforts may not always seem to be getting much results, I’m slowly working towards that final goal.

Who knows. Maybe when I get something signed I’ll rethink things. I may decide to scale back my hours or quit all together. But based off of what I’ve seen of the publishing world, based off of the royalty statements I used to send to authors when I worked in publishing, this is a decision I would not arrive at lightly. Because the reality is, writing is satisfying, but it rarely pays the bills.

The plan of action I’ve chosen won’t work for everyone. But it’s always useful when making these types of big decisions to see what other people decided and why.

Did you take the leap? Do you plan to in the near future? Or did you decide to keep doing what your doing? I’d love to hear how others deal with this.

Finding Description Inspiration from Real Life

Monday, April 11th, 2011

Don't you feel inspired just looking at this photo?

It’s been over 2 months since I returned from my trip to Italy, but since I’ve been looking at description in writing, I figured it was high time I went back to that trip and shared what I learned.

Do real life experiences breed better description?

If you recall, one of the reasons I was so eager for my trip to Italy was to scope out Pompeii for a possible book idea. While there, I discovered a lot more than what I set out to discover.

Originally I was only interested in Pompeii. I wanted to check out the site, get some impressions of what it is like coming up to it, how well preserved it is, that sort of thing. I wanted to feel what my MC would feel as he arrived at the site. Little did I know I would come back with a lot more ideas, and none of them related to the story I set out to research.

Naples, surprisingly enough, provided more inspiration than Pompeii. Naples is a medieval town, despite it being 2011. There are still narrow cobble-stoned streets, twisting alleyways, and the best part of it, it hasn’t been modernized the way Rome or Munich or other large European towns have. Because of this, I felt like I was being catapulted back in time.

 

Relying on all of the senses to open your mind to inspiration

The sights, smells, and even sounds all called to me, filling my senses and giving me some great ideas for descriptions -ideas that I could never have honed in on that well without first-hand experience. Things like the way the street lights reflected off of cobblestones after a day of rain, or the sound of rain hitting those cobblestones, or the energy of a small cafe in the late afternoon, or the adrenaline rush as a car comes racing towards you down a narrow alleyway, searching for a place to move to avoid being hit, and being terrified that the car will smack into the walls closing in on it from every angle. Even the feeling of being surrounded by these high walls with little room for escape provided inspiration.

Inspiration is every where, if you know how to look for it

Part of why the environment affected me so much may have been because I set out to be affected. I kept my mind open, I absorbed everything like a sponge. I wanted to remember the sensations and, as a result, I got some really good material for a future book.

Of course, you don’t have to travel all the way to Italy to get inspiration. There is inspiration everywhere. Walk outside and observe what you see, pretending like you are a stranger to the area. Look at things from an outsider’s point-of-view and you just might be surprised by all the things you pick up on, all the new sensations you become aware of.

Do you rely on real-life for inspiration? How do you turn on your senses to really see, hear, smell, and feel things, even things you are very familiar with?

Editor’s Block

Monday, April 4th, 2011

Arthur was not harmed in the capturing of this photo

I hear people talk about writer’s block all the time. I’m familiar with it. I’m sure you are familiar with it too. But as I work on my edits, I’m realizing that there is a worse block out there – editor’s block.

Writing is fun. You are creating a new world, creating new characters, making something new. Editing seems to be the antithesis to creating. Instead of making tons of new things, you are taking away from your creation. Sure, you are taking away to make it better, but it’s hard to see that while neck-deep in the editing process.

The dreaded cuts

No one wants to cut words they’ve spent countless hours writing. This is one reason why it is so important to focus on getting the story down in the first draft and waiting to fix the writing until the second, third, fourth, etc. draft. Why spend countless hours perfecting one sentence when you may end up cutting that entire scene?

Even if you aren’t cutting well-crafted prose, you may still find cuts difficult. And this is where I’m at in the process. I am making cuts to scenes I felt attached to when I wrote them but now I see that they don’t fit in with the natural flow of my story. When you are in the midst of writing, things seem like they fit. But the writing process takes longer than the reading process; you are likely to forget details  or even characters, leaving loose ends and contradictions. In rereading your story, you might realize, like I did, that the plot starts to deviate from the original plan. Some deviation may be good – it can mean that the story does not naturally flow the way you originally planned. But with deviation comes reworking of the plot, and with reworking comes cuts, including character cuts in some instances.

Splicing and dicing

A coworker of mine was recently in a television show. When it aired, she was shocked to see that several sentences were spliced and edited into one sentence. Unless you had been there during her interview, you would never have been able to guess where and how the cuts/edits were made. Well, guess what? Sometimes you have to do the same thing with your writing. And this is where things get really scary. I can deal with making cuts here and there, but when you start moving around large chunks of text, cutting some things, inserting half of a scene from chapter 12 into a part of a scene from chapter 2 and another part from chapter 7, the editing process can seem daunting and a bit frightening. I think this more than the cuts is where my editing block really stems from. Once you start changing the structure, you are really committing to the edits. You are committing to the changes in the story. And you are committing to the new plan you devised for the plot.

Overcoming editor’s block

Of course, editing doesn’t have to be scary. Here are two tricks to get you through the process:

  • Save every version – I have drafts 1.1 and 1.2 as well as 2.1 and I just started 2.2. Whenever I make any big changes, I save a new draft. This way if I change my mind, I can go back to a previous draft. This may seem like commitment phobia, but I see it as smart. You never know when you might decide that a scene or character or setting actually does work. Each rewrite changes the story, and something that didn’t work in one draft could end up working perfectly in a future draft.
  • Just dive in – Obvious, right? But this takes a lot of guts. You know what though? So does being a writer. And sadly, part of writing is editing, so if you are serious about your dream, then you have to take the plunge. You just may end up loving the end result. Need a little motivation? Check out this post by Alexis Grant on How to Find the Guts to Take a Leap.

Do you suffer from editor’s block? Do you have any tips on how to conquer it?

For more on editing, check out Andrea Mack’s blog post over at MiG Writers, Revision is All About Taking Risks.